A scrappy playbook for independent artists trying to build real momentum without burning through cash
Influencer marketing always feels like it’ll unlock way more engagement than it actually does. You see other artists blow up after one TikTok collab and think “that’s my ticket.” Reality? Really well-niched talent works out a little better, but most of this game is about getting to critical mass—not finding the one magic unlock.
Here’s what actually matters when you’re establishing yourself.
First priority: Email list
Second priority: A website
Why these two before anything else? Because they’re assets you own and can leverage to build the relationships you need to hit that critical mass where things actually start picking up.
This is probably where you get the most value out of paid advertising—because you’re dumping gasoline on a fire versus trying to start one. It’s also where you’ll start seeing user-generated content pick up, which is really the goal when you’re leveraging social to drive listens somewhere else.
You can’t always see this clearly, but there’s a concept from SaaS marketing that translates perfectly to music: building raving fans. A slightly less smarmy way to think about it is the discourse around acquiring your first 100 users.
The number “100” is arbitrary, but what you’re looking for isn’t: you’re building relationships that give you enough organic momentum so you aren’t 100% reliant on paid reach before you start scaling.
You’ll see successful creators doing a lot of this intuitively:
The goal: Build enough organic momentum that you’re not completely dependent on paid reach from day one.
Not all platforms serve the same purpose. Here’s how to think about each:
These are where people find new music. Your job here is to maximize discoverability and make it stupid-simple to save/follow.
These have discovery elements, but they’re really about building parasocial relationships. You want people to feel connected to you as a person, not just your music.
This comes later, but platforms like TikTok also excel at driving merchandise sales once you have the audience.
Priority One: Make it as easy as possible for people to find and buy your music. This maximizes your at-bats while building credibility.
Priority Two: Everywhere you ARE needs a purpose. Flesh those purposes out to the point of parody in the short term while you’re testing.
Examples:
Actually map this out. The exclusivity matters. Platform-specific content performs better than cross-posted generic content.
Owned assets (things you control):
Earned assets (things you don’t control):
Growth on your owned channels will always benefit you more than growth on earned channels. You can lose access to earned channels overnight.
Map out what works where based on:
Content planning framework:
Sit down and map out how someone actually discovers you and becomes a fan:
Then go find people who are in those paths online and figure out what makes them tick.
Look for eyeballs and hope enough stick. This works but requires serious budget. You’re essentially buying lottery tickets.
How to test this affordably: Look at “suggested artist” data on your own streaming pages. See which similar artists get views but low engagement—that gap tells you where generic reach fails.
Work backwards from specific markets or venues you want to play. This is the recommended approach.
Why this works: Music still operates on finite resources—finite venues, finite fans per market, finite promoters. This works to your advantage if you’re strategic.
The process:
You build big, genuine engagement over time with a large number of small interactions—not the other way around.
Don’t start with paid until you have the fundamentals (email, website, clear customer journey). When you’re ready:
Take your higher engagement posts and build quick auto-target campaigns around them. This tells you:
Focus campaigns on:
Use paid to accelerate the natural process of finding your first 100 real fans. These people will drive early saves and engagement when you release new music.
Once you have the audience, paid advertising becomes incredibly effective for merchandise and ticket sales.
Step 1: Take 3-5 of your best-performing organic posts
Step 2: Run small auto-targeted campaigns ($20-50 each)
Step 3: Track what it costs to drive views, clicks, engagements by market
Step 4: Combine this data with site analytics to find opportunities
This gives you a baseline understanding of:
Phase 1: Foundation (Week 1-4)
Phase 2: Content Strategy (Week 5-8)
Phase 3: Relationship Building (Week 9-12)
Phase 4: Paid Acceleration (Month 4+)
Building a music career in 2024 isn’t about going viral (though it helps). It’s about:
The artists who make it aren’t necessarily the most talented—they’re the ones who understand these fundamentals and execute consistently.
Start with owned assets. Build your first 100 raving fans. Then use paid to pour gasoline on what’s already working.
Owned Assets Setup:
Platform Strategy:
Testing Framework:
Relationship Building:
The fundamentals aren’t sexy, but they work. Build the foundation before you try to scale.
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